SARAH SATURDAY

GARDENING,

NOT ARCHITECTURE

A person stands on a stage in front of a large bright screen displaying a simple abstract image, with a small audience seated in a darkened room watching.
A person stands on stage with a white circle behind them, projected onto a black background. They are dressed in dark clothing and have shoulder-length hair. The stage is dimly lit, with some equipment visible on the floor.

“Easily one of Nashville's best and most criminally underrated projects.” — No Country For New Nashville

“A memorable and emotional journey that is both visually stunning and deeply moving.” — Kindling Arts

“Saturday’s entire imaginative enterprise revels in liminalities and ambiguities.” — Nashville Scene

Sarah Saturday is a musician, multimedia performance artist, and producer based in Nashville. A recipient of Nashville's Metro Arts Thrive Grant and the Tennessee Arts Commission Individual Artist Fellowship, she is known for complex, vulnerable, visually stunning performances.

Since 2009, Saturday has released numerous albums, multimedia works, and experimental theatrical performances, and has performed over 200 shows across the U.S. and Canada. Her music has been featured in film, television, and commercials, including an original score for the feature film Superpowerless. After relocating to Nashville from Los Angeles in 2012, she began incorporating film, dance, and spoken word into her technology-driven, lighting-based performances.

Her more recent one-woman audio/visual performances include Absence of Me (2019), Voyage (2023), and a re-release of her 2009 “Light Wall” in 2025.

In late 2025, Saturday received the Thrive Grant from Nashville's Metro Arts Commission to develop AFTERLIFE, an immersive, large-scale installation and performance piece co-created with longtime collaborator Dycee Wildman and nearly 20 Nashville artists. AFTERLIFE premiered in Nashville in June 2026, running three sold-out weekends. The soundtrack was released in August 2026, and the team hopes to remount the show for a longer run in 2027.

Black and white photo of a young woman with curly hair sitting on a leather chair, wearing a T-shirt that says 'GARDENING, NOT ARCHITECTURE'. She is leaning her head on her hand, next to a fur throw draped over the chair, in a cozy indoor setting with books on shelves behind her and a window above.

Photos by Danielle Shields

Select Works
A person sitting in front of a large screen displaying a woman wearing a colorful, patterned jacket, with several audience members watching in silhouette.
A musician playing electric bass on a brightly lit stage, with silhouetted audience members watching.
A woman singing into a microphone on stage, with a small music setup, illuminated by a bright LED backdrop.
Person with arms outstretched standing in front of a projection of a plane and ocean. 
Afterlife (2026)
The Light Wall 2.0 (2025)
Voyage (2023) 
Absence of Me (2019)
Fossils (2015)
Early Releases & Touring (2009-2012)
Woman sitting on concrete stairs outside, wearing a black jumpsuit, with sneakers, against a dark brick wall.

COLLABORATIONS

THE GALAXY CUT (2024)

LETTERS TO OUR UNBORN CHILDREN (2024)

A DREAM, A DAY (2025)

Four women in white outfits performing on stage with colorful background, accompanied by a musician playing guitar and keyboard.

Film & TV

Soundtrack: Chorus Notes (2024)
Score: Forevering (2021)
Score: How Mavny Spiders? (2020)
Score: Superpowerless (2017)
Score: Dark Side of the Sun (History Channel) (2017)

Syncs — Film & TV