This project started on two cassette tapes in my parents’ living room over 20 years ago.

The goal since the beginning has been to make music and performances that feel immersive, that bring others fully into the present moment with their own thoughts and feelings.

Technology and visuals have been part of this project since day one. Every new live show is an evolution of the technology and visuals used in the last show. The ideas for what you see on stage come to me as a complete image in my mind, and then the challenge becomes, how do I pull this off? Collaboration is key, and I am fortunate that so many brilliant artists have lent me their talents through the years, especially Dycee Wildman, my main collaborator since 2015 and a brilliant filmmaker in her own right. Check out her website here.

Musically, I am consistently drawn to loops, beats, patterns, and repetition. I am writing songs, yes, but I’m really trying to create soundtracks for my feelings and for the live show experience. A magazine writer once described my music as “cinematic bedroom pop,” and that pretty much sums it up.

I’m curious about theatre. I’m curious about language. I’m curious about lighting. I’m curious about film. I’m curious about dance. I’m curious about technology’s role in art and community. I’m curious about subject matter that is deep and challenging. I want to talk about the Big Life Questions, and I want to share what I am learning in my efforts to answer them.

— Sarah